Taking 3 works from an archive of potential works, looking to the 'one-offness' and 'objectness' of these works, the polaroid being a unique image, it is an object in terms of its tangibility and ability no to be reproduced. The Super 8 film also represents the the idea of being a one-off, it could be re-filmed on 16mm to make it able to be looped but I felt this was removing an important part of the work, and if parts of the film get damaged within the showing this is just part of the work and the film can be spliced/reformed and documented this becoming a new part of the work, a document of what has been.
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